Here is the course. Seeing Lorca's word through these overlapping and intersectional interpretative frameworks, more or less in this descending order of specificity:
Reception. Adaptation, etc...
Translation. Musical setting. Staging. Illustration. Novelization, Apocryphization, etc.. These are specific types of adaptation / reception.
Including too: the intersection of popular and high culture (postmodernism). The intersection of national cultures in reception and adaptation.
I think it will work. No graduate student currently taking classes was in my last Lorca class, or my inter artistic approaches to literature course.
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