Featured Post

Lilt: a theory of melody

A melody has to catch the ear. A lilt is an up and down movement that has to be asymmetrical or surprising in some way. It can go up, and ...

Wednesday, February 26, 2014

Bibliography, Page 2

Berlin, Isaiah. “The Bent Twig: A Note on Nationalism.” Foreign Affairs 51:1 (Oct., 1972):11-30.

Berman, Antoine. The Experience of the Foreign: Culture and Translation in Romantic Germany. Trans. S. Heyvaert. Albany: State University of New York Press, 1992.

Bernstein, Charles, ed. Close Listening: Poetry and the Performed Word. New York: Oxford University Press, 1998.

Binding, Paul. Lorca: The Gay Imagination. London: GMP Publishers, 1985.

Biner, Pierre. The Living Theatre. New York: Horizon Press, 1972.

Bloom, Harold. The Anxiety of Influence: A Theory of Poetry. Second Edition. New York: Oxford University Press, 1973. 1997.

--- . Genius: A Mosaic of One Hundred Exemplary Creative Minds. New York: Warner Books, 2002.

--- . Shakespeare: The Invention of the Human. New York: Riverhead Books, 1998.

Bonnadio, Fernando. Federico García Lorca: The Poetics of Self-Consciousness. 2010. •••

Borges, Jorge Luis. Obras completas. ••• Buenos Aires.

Bradbury, Ray. A Medicine for Melancholy. New York: Bantam Books, 1960.

Brooks, Cleanth. The Well Wrought Urn. Cornwall N.Y.: Cornwall Press, 1947.

Brown, Joan L., and Krista Johnson. “Required Reading: The Canon in Spanish and Spanish American literature.” Hispania 81.1 (March 1998): 1-19.

Buffery, Helena, Stuart Davis, and Kirsty Hooper, eds. Reading Iberia: Theory / History / Identity. Oxford: Peter Lang, 2007.

Burke, Kenneth. “Coriolanus”: And the Delights of Faction. The Hudson Review 19:2 (Summer, 1966): 185-202.

No comments: