Andrew Hill's Point of Departure is roughly equivalent to Black Fire, with Hill originals, Richard Davis on bass, and Henderson, but adding Eric Dolphy and Kenny Dorham. It has a more avant-garde feeling because of Dolphy's playing. Tony Williams on drums gives a different feel than Roy Haynes, but it is hard to prefer one to the other. Williams's cymbal sound is the best there is, and he is more fluid, less "jerky," than Haynes. More ride-cymbal and less hats.
Richard Davis, I discover, is a professor at U of Wisconsin. He is certainly one of the best bass players of the 60s (and much beyond).
I like the feeling of consistency from Hill's music. It all sounds like him. It is excellent music to think to, as you might dance to other music. But it is a dance-like thinking.