It occurred to me that a meter is a gestalt. The word is usually used for visual information. Seeing a face, we don't see individual features, but a face. Of course, we can describe a nose, etc... but those 19th century description of peoples faces feature by feature don't work all that well.
Faces vary a bit, but fall into the same gestalt. The 11 syllable Spanish line is essentially a shape, not a collection of 11 syllables.
Here is the most canonical pattern:
x/xxxx/xxx/x [accents on 2, 6, 10, evenly spaced]
El dulce lamentar de dos pastores
Another common pattern:
xxx/xxx/x/x [accents on 4, 8, 10]
The other patterns are accents on 1 6 10, or 3, 6 10.
The gestalt is the feel of the meter, not the number of syllables, since we aren't counting them unless we are unsure. Even then, if we are off by a syllable, it shouldn't even matter that much.
Here's one with a stress clash:
Siempre la claridad viene del cielo: 1,6, 7!, 10. It's odd. We hardly ever get stresses on 5,7,9. Notice that there is still a stress on 6.
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