Nobody cares about your list of rejections and failures. When I first saw the title of this essay I thought it would be about something much more interesting: the parts of the scholarly formation that seem less scholarly but that somehow affect one's writing: my study of jazz and percussion, my obsession with prosody: all the things I never wrote about but that are essential to who I am: for my friends, it could be their work as zen masters, or being in a band: the translations someone has worked on but not published.
The point the article is trying to make is that we see a cv loaded with stuff but don't see the rejections and failures that everyone experiences. The longer the cv, the longer the shadow cv too, because someone more active will also have more opportunity not to get grants they apply for. Everyone knows this, so it's supposed to be great for younger people to see that these successful people have also failed. I get the point, but it is a stupid article because it is not the one I would have written with this title. (Sorry.)