Featured Post

Tags

By using the tag Popular songs I am able to trace the development of my short and unsuccessful songwriting efforts. I started in September &...

Friday, May 19, 2017

Triangulation

When we read a Victorian-era translation into English of Garcilaso, we have a third element to think about that has not much to do with Garcilaso or with ourselves. In other words, we could read Garcilaso directly, or even with the help of a more recent translation if we don't know Spanish well, but our interest in Garcilaso is independent of whatever interest we have in Victorian era poetry. So all the Victorian detritus is precisely what we aren't interested in, because it is irrelevant. We want a 21st-century understanding not mediated by some distracting 19th-century understanding of the 16th century.

And if we are judging it by our own standards, we might not like it; it might not be our own taste. And maybe Victorian translators have different ideas about literalness and so we can take issue with their accuracy.

Yet we are also entitled to be interested in 19th century translation practices in their own right, and in the history of the reception of Garcilaso.  Now are question is not: how good was Wiffen as a translator of Garcilaso, but rather, what were contemporary ideas about translation? So questions of both taste and fidelity take a back seat.

Yet it precisely in these two areas, taste and fidelity, that we can make judgments about what Victorian translation ideals were about.  Those are the things we notice, especially when they depart from our own preconceptions.  Insofar as they are in accordance with our own ideals, translations become less visible.

The wonderful moments come when a translation is really awful or really wonderful.  We can have a Chapman's Homer Keatsian epiphany, or feel such a gap in the translation that an abyss opens up for us: how did he get it so wrong?

Translation is hermeneutics, but it is also aesthetics.  


2 comments:

Vance Maverick said...

But in a contemporary translation, 21st-century poetic practice of the "target" language is a presence too. Even if it's a bit obscured by familiarity, it acts as a muffling, a cloak or filter, certainly perceptible in the aggregate. In the historical translation, it's easier to track its workings. That is, the number of parties to the transaction is not really different. ("it was related that the party of explorers, at the extremity of their strength, had the constant delusion that there was one more member than could actually be counted.")

Jonathan said...

That's exactly right, but we are used to debating our own contemporaries, and can hold them to our own standards of today, even I they disagree, whereas we have to stretch out to understand a different historical standard of translation. That is the third element. With our own contemporaries translating, their enterprise is the same as ours at bottom.