Here's an exercise I invented today.
Take the the chord change I vi ii V7. It is a very familiar one used in numberless songs.
Play it again, but this time as I vi II7 V. Now you've taken the relative minor, or vii, and imagined it as the ii of the the V. You have modulated to the dominant or V chord.
Now take that chord and treat is as I, and repeat the same sequence all the way through the circle of fifths.
So
C a d G7
C d D7 G
G e a D7
G e A7 D
D b e A7...
etc....
Now you will know relative minors, I vi ii V7, and ii V7 I, in every key, in a mere 96 measures or fewer depending on what harmonic rhythm you want.
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